Somewhere in Northern England, the doorbell rings; a visitor has come to view the room that’s to let. All seems well until suddenly he stops at the foot of the stairs, turns sharply and stares at one of the inhabitants, his ink-black eyes expressionless. All at once we know: this penguin can’t be trusted. The […]
My Favourite Discoveries of 2024
As the year winds down, here are my favourite discoveries of 2024. Nine Queens (2000) No discovery filled me with as much exhilaration this year as Nine Queens. Fabian Bielinsky’s tale of con artistry and philately is a dazzling piece of cinematic legerdemain and best enjoyed knowing as little about it before viewing as possible. […]
Powell Before Pressburger: ‘Rynox’ (1931), ‘Hotel Splendide’ (1932), ‘Red Ensign’ (1934) and ‘The Phantom Light’ (1935)
One of the manifold joys of Cinema Unbound, the landmark Powell and Pressburger series that ran this summer at the Museum of Modern Art, was the opportunity to see some of Michael Powell’s earliest work as a director. Between 1931 and 1936, Powell directed nearly two dozen films, the majority of them ‘quota quickies’: cheaply […]
Birds, Bees and Educated Fleas: ‘Love’s Labour’s Lost’ (2000)
On paper, Kenneth Branagh’s Love’s Labour’s Lost sounds inspired: take one of Shakespeare’s least-known plays, adapt it for the screen for the first time and transform it into a frothy musical to make it more accessible. Would that it t’were so simple. The King of Navarre (Alessandro Nivola) decides that he and three of his […]
Ties that Bind: Seven Friendships on Film
I recently saw the new production of Stephen Sondheim’s Merrily We Roll Along, now in its last weeks at the Hudson Theatre, and it’s been rattling around in my brain ever since. (Jonathan Groff, Lindsay Mendez and Daniel Radcliffe are outstanding. If you can make it, don’t miss it.) A musical […]
Pilgrims’ Progress: ‘A Canterbury Tale’ (1944)
This post is part of The World War II Blogathon, hosted by Cinema Essentials and Maddy Loves Her Classic Films. See the other posts here. In A Canterbury Tale, Alison Smith (Sheila Sim), a Land Girl doing her bit in wartime Kent, goes for a walk on the Old Road pilgrims once travelled to Canterbury. […]
Cutlasses and Kilts: ‘The Master of Ballantrae’ (1953)
The Jacobite rising of 1745 was a disaster for much of Highland Scotland that led to the weakening of the traditional clan system and the Act of Proscription, which outlawed wearing the kilt, except as a soldier or officer in the British Army. The Master of Ballantrae, loosely based on Robert Louis Stevenson’s novel of […]
Crooked House: ‘Gaslight’ (1940)
This post is part of the 6th Annual Rule Britannia Blogathon, hosted by A Shroud of Thoughts. See the other posts here. In Gaslight, objects have a peculiar habit of going missing. A picture, a pocket-watch, a brooch—all seem to disappear into the bowels of the house and reappear where they ought not to be. […]
Rocket Men: ‘From the Earth to the Moon’ (1958) and ‘First Men in the Moon’ (1964)
Fifty years ago today, humanity first set foot on the moon. TCM has been celebrating with a month-long sci-fi festival, beginning with George Méliès’ A Trip to the Moon: one of the first science-fiction films ever made and over a century later, still one of the best. Alongside the robots, metropolises and things from another […]
Unmade Movies: ‘The Blind Man’ and ‘The Unquenchable Thirst of Dracula’
There are films I long to see and know I never will: Michael Powell’s Prospero; Orson Welles’ Heart of Darkness; Martin Scorsese’s Gershwin; Max Opühl’s The Duchess of Langeais. Film history is haunted by the spectres of unmade movies, films which for whatever reason—cast reshuffles, vagaries of financing—never saw the light of a projection booth. […]