Somewhere in Northern England, the doorbell rings; a visitor has come to view the room that’s to let. All seems well until suddenly he stops at the foot of the stairs, turns sharply and stares at one of the inhabitants, his ink-black eyes expressionless. All at once we know: this penguin can’t be trusted. The […]
My Favourite Discoveries of 2024
As the year winds down, here are my favourite discoveries of 2024. Nine Queens (2000) No discovery filled me with as much exhilaration this year as Nine Queens. Fabian Bielinsky’s tale of con artistry and philately is a dazzling piece of cinematic legerdemain and best enjoyed knowing as little about it before viewing as possible. […]
Powell Before Pressburger: ‘Rynox’ (1931), ‘Hotel Splendide’ (1932), ‘Red Ensign’ (1934) and ‘The Phantom Light’ (1935)
One of the manifold joys of Cinema Unbound, the landmark Powell and Pressburger series that ran this summer at the Museum of Modern Art, was the opportunity to see some of Michael Powell’s earliest work as a director. Between 1931 and 1936, Powell directed nearly two dozen films, the majority of them ‘quota quickies’: cheaply […]
Unmade Movies: ‘The Blind Man’ and ‘The Unquenchable Thirst of Dracula’
There are films I long to see and know I never will: Michael Powell’s Prospero; Orson Welles’ Heart of Darkness; Martin Scorsese’s Gershwin; Max Opühl’s The Duchess of Langeais. Film history is haunted by the spectres of unmade movies, films which for whatever reason—cast reshuffles, vagaries of financing—never saw the light of a projection booth. […]
The Good Fight: ‘Foreign Correspondent’ (1940)
The post is part of the Second Annual Alfred Hitchcock blogathon, hosted by Maddy Loves Her Classic Films. See the other posts here. When it was released in August 1940, Foreign Correspondent was the most topical film Alfred Hitchcock had ever made. British troops had evacuated Dunkirk in May and early June. France and Norway […]